Michelangelo’s David has fascinated Richard Orlinski since his childhood. Interpret the interest because it allows him to understand the evolution of the canons of beauty and virility. The position is identical to Michelangelo’s model and the gaze is also determined, but the bodybuilded torso reveals an exacerbated musculature, reinforced by the play of the reeds of aluminum.
Orlinski partly dresses his sculpture, because the archetype of virility is no longer expressed in nudity. A D & G (Dolce & Gabbana) branded hold is a humorous reference to David’s victory over Goliath. It is partly covered by unbuttoned jeans that reinforces the suggestion of virility.
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A symbol of power and spirituality, the Sumo wrestler is considered a messenger of the Gods. Rejecting a barrel of oil, he opposes spiritual power and industrial power and invites us to cultivate one by fighting the other.
What if the superhero from planet Krypton had landed in the Soviet Union and not in the United States? With his muscular body, magnified by his tight suit, the cloak placed on the shoulders, the head deliberately reduced, the stone sculpture of Richard Orlinski releases the strength of the Bolshevik sculptures. Superman reaches out, like Stalin indicating the direction to follow. The American vigilante could just as easily have embodied Communist propaganda. Orlinski questions history through the confrontation of the two giants of the Cold War.